

Therefore, when you are softening different shadows, you’ll have to decide how much you’ll do it, and then replicate that amount to every shadow. Bear in mind also that most of this process is done by eye – there is no equation that will do it for you. Additionally, it may seem obvious to begin with but don't forget that some might be easier to soften up than others. If there is no visual change, you are all set.įirst of all, we need to identify where the harsh shadows are. Check if everything is done properly by turning the group of both layers on and off.Select both Tone and Texture layers and group them together, you can do so by pressing CTRL+G.While you have the Texture layer selected, change its Blending Mode to Linear Light.Inside the box from the “Layer” dropdown menu choose Tone, set Blending Mode as Subtract. Head to the Image menu, choose Apply Image. Use 6-10px Gaussian Blur on the Tone layer.You can do so by double-clicking the text on the layer. Rename the first copy as Tone, second copy as Texture.Duplicate the layer twice, you can do so by using the shortcut CTRL+J (twice of course).This is because it gives you the most flexibility when editing however, it can get a tad complicated but once you get the hang of it, it's really helpful.įor a deeper understanding of frequency separation and how it works, you can click on the link and read further… Preparation You're probably hearing about this term/method more often due to its increasing popularity. It's a generalist course, but it concentrates primarily on examples of people photography so is quite useful for portrait shooters. Note: If you are interesting in taking your post production on portraiture even further than this article, you should consider Photography Concentrate's course on the topic. Of course, it's best if you get everything right in camera first time: light, color, pose, everything – however, it's not always going to swing your way! So, plan your shoots accordingly if you can in order to avoid heavy repairs in post production, since you never know how they will turn out.
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If you know how to repair that you can save the image, otherwise it can be total waste. Sometimes the picture can be great, but harsh light or bad color temperature can mess up the image. Usually you wouldn't need to worry too much about this, but you should know how to tackle it, just in case. Here we are going to repair some of the color too due to poor lighting conditions. Monochrome leaves you with choice of just gray tones to play with while in a color image you are toying with the whole RGB spectrum. We had a tutorial on how to soften harsh shadows in Photoshop on a monochrome image, which is basically the easier job.
